Search davidnmeyer.com
Netflix Recommendations
Film Review Cloud
13 Tzameti A Prophet Afghanistan Alan Sharp Aldous Huxley Aldrich Alex Garland Alphaville Altman Anthony Mann AntiChrist Antonioni Assazyez Baader Meinhof Badlands Baumbach Belmondo Ben Foster Bergman Best Films of 2008 Best Films of 2009m Jia Zhang-ke Best Films of 2010 Beyond the Valley of the Dolls Bielinksy Big Dead Place Bill Pullman Billy Name Binoche Black Narcissus Blleder Blue Crush Bob Dylan Boetticher Bone Tomahawk Breillat Bresson Brick Brisseau Bruce Surtees Bullwinkle Carlos Casino Royale Celine and Julie Go Boating Chabrol Chaplin Charlie Haden Cherry Jones Chris Pine Claire Denis Clint Eastwood Coen Brothers Criterion Da Vinci Code Daisies Dante Spinotti Dassin David Watkins David Wilentz Days of Heaven Deadwood Dean & Britta Death Proof Deborah Kerr Delon Delueze Denis Johnson Dennis Wilson Derek Jarman District 9 Don Cherry Douglas Sirk Dreyer Driver Dumot Dunst DW Griffith Eastwood El Aura Elizabeth Olsen Elliot Gould Emeric Pressburger Errol Morris Ex Machina Exiled Exodus Exterminating Angels Fata Morgana Fiennes Film Forum Fish Tank Fistful of Dollars For a Few Dollars More Freddy Herko French Frtiz Lang Gaby Rogers Galaxie 500 Gary Cooper Ghost Town Gil Birmingham Godard Gomorrah Greenberg Greta Gerwig Grizzly Man Guadagnino Gus Van Zant Hackman Hank Williams Hara Kiri Help Me Eros Henry Fonda Herzog HHelp Me Eros Hitchcock; Vanity Fair Hong Sang-soo Hudson Hawk I Am Love I Know Where I'm Going ImamuraTarantino In Bruges In The Loop Insomnia Isabelle Huppert Jar City jazz Jeff Bridges Jennifer Warren Jimmy Stewart Joanna Hogg John Ford John Glynn John Woo Johnny To Jose Giovanni Jude Law Julia Ormond Kael Kang-sheng Lee Ken Russell Kiiyoshi Kurosawa Kill! Kiss Me Deadly Kristen Stewart Kubrick Kwaidan LA LOI Lance Rocke Lars Trier Laurie Bird Layer Cake Le Mepris Le Samourai Lebanon Lee J. Cobb Lenny Bruce Lessons of Darkness Lester Bangs Let The Right One In Linda Haynes Linda Linda Linda Lino Ventura Lou Reed Lumet Maddie Hasson Maïwenn Malick Marc Abraham Marcel Ophuls Margaret Qualley Margot at the Wedding Marina Vlady Masculin feminin Mastroianni Mayersberg; Croupier McCabe & Mrs. Miller Mechanic Meeker Melancholia Melville Memories of Murder Michael Blodgett Michael Caine Michael Mann Michael Powell Michael Shannon Michele Morgan Miroslav Slaboshptskiy Miyazaki Monica Vitti Montand Monte Hellman Mopar Mungiu Nicholas Ray Nicholas Winding Refn Nico Night and the City Night Moves Nolte Nuri Bilge Ceylan Oliver Reed Olivier Assayas Ornette Coleman Oscar Isaacs OSS 117 Lost in Rio Pale Flower Paranoid Park Paris Passion of Joan of Arc Pat Garrett & Billy the Kid Paul Schrader Paul Verhoeven Pecinpah Penn Pierrot le fou Police Adjective Polisse Preston Sturges Pulp Fiction Pusher Pusher II Pusher III Radu Jude Raoul Coutard Raw Deal Raymond Chandler Red Riding Red Shoes Refn Restrepo Richard III Rififi Rivette Robert Altman Robert Graves Robert Hossein Robert Stone Robin Hood robots Rock Hudson Rodney Crowell Rohmer Romania Russ Myer Sailor Suit & Macine Gun Sam Raimi Samuel Fuller Samurai Rebellion Samurai Spy
Books By David N Meyer
  • Twenty Thousand Roads: The Ballad of Gram Parsons and His Cosmic American Music
    Twenty Thousand Roads: The Ballad of Gram Parsons and His Cosmic American Music
    by David N. Meyer
  • The 100 Best Films to Rent You've Never Heard Of: Hidden Treasures, Neglected Classics, and Hits From By-Gone Eras
    The 100 Best Films to Rent You've Never Heard Of: Hidden Treasures, Neglected Classics, and Hits From By-Gone Eras
    by David N. Meyer
  • A Girl and a Gun: The Complete Renter's Guide to Film Noir
    A Girl and a Gun: The Complete Renter's Guide to Film Noir
    by David N. Meyer
Social Links
Login
« THE AMERICAN FRIEND (1977) | Main | HICKEY & BOGGS (1972) »
Wednesday
Jul102024

JERRY LEE LEWIS: TROUBLE IN MIND

Jerry Lee was the ne plus ultra of terrifying redneck speed freaks lost in the transcendent sin of rock & roll. Nobody could remotely do what he could do, and he invented a genre that contains only him, yet remains rock ‘n’ roll in its absolutely purest form.

This is the polar opposite of that unbelievable piece of shit Little Richard film. Directed by Ethan Coen and edited by his wife, Tricia Cooke, there’s not one word of narration or voiceover that doesn’t belong to Jerry Lee.

They contextualize Jerry Lee’s impenetrable - and clearly psychopathic - genius through the various incredibly stupid condescending clueless assholes who hosted him on their television shows over the decades.

Jerry Lee’s essence is his pure Jerry Leeness, which defies any attempt at definition. Coen and Cooke recognize that and find the grace in Lee that he was always searching for himself - through performance footage and interview snippets.

Though the film is a compilation of standout moments, there are moments that stand out for me.

One is the awe and reverence in Jerry Lee’s voice as he describes hanging out in a backwoods Louisiana Black juke joint as a young teenager listening to BB King. Jerry Lee says it was like walking in heaven.

The other is one of the favorite musical moments of my life, Jerry Lee, playing guitar and singing I Will Follow with a Black gospel quartet.

There’s nothing in American music like it…

https://www.youtube.com/watch?v=ubnbBnGHh5A